Sunday, December 28, 2008

"Our Neighborhoods" - January 3-29, 2009


"On the Bowery", Paula Goldfader











Franklin 54 Gallery presents:

“Our Neighborhoods”
January 3-29th, 2009
Opening Reception: Saturday, January 3rd, 3-7P

A group exhibition of photographs by the Creative Center’s photo club. Images are from the neighborhood of each artist – the project started with photographing the Lower East Side of Manhattan where the Creative Center is now located but branched out to other neighborhoods. All of the artists in the exhibition are connected to the Creative Center and are cancer/serious illness survivors. Please visit the Creative Center’s web site for more information on their organization and view their online gallery.

www.thecreativecenter.org

Sunday, November 16, 2008

SIRI BERG: "It's All About Color" - November 20-December 28th



"It's All About Color #6", Japanese woodblock prints on archival board, 60x30"
















For Immediate Release: November 1, 2008
SIRI BERG
“It’s All About Color”
Collage and Assemblages
November 20th – December 28th, 2008
Opening Reception: November 22nd, 4-7P

Franklin 54 Gallery is pleased to present collage works and assemblages by Siri Berg. Rich in color and design, the “It’s All About Color” series is comprised of 6 large panels of 20 individual rectangular Japanese wood block prints within each panel. The series starts with little color in the copper, grey and green range and transforms through each panel into the brilliance of fiery reds and oranges, blues and purples. Each individual print within is unique with interesting textures and designs, although still within Berg’s minimalism they complete a larger cohesive vision. The 4 panels in this exhibition are attractive and elegant with rich and subtle colors.

The remainder of the exhibition is a combination of collage works and assemblages that make for a striking contrast of the artist’s work in color and lack of it. Her assemblage works from found objects are again minimal in design and color. Industrial looking because of the materials and choice of grays, silver and gold, the pieces are simple and serene. The direct and clean works of the Coloratura group continue to reinforce Siri’s excellent use of design and color. Part texture (collage, oil on canvas, pastel on paper) and part flat surface, her use of line with geometric shapes in the horizontally moving base juxtaposed against the lines evaporating upwards makes for an effective image, although again subtle.

Opposites and progression have been an inspiration and an interest of this artist’s for many years.
Extra treats included in the show are Berg’s smaller colorful collages – “Red Hot” is a spatial textural beauty with its warmth of colors suggesting a floating landscape joined by a waterfall of sunbursts. Even smaller gems exist in the precious collage pieces under plexi – these modest works are small pieces of diverse papers combined from silver rectangles and squares with bright flashes of color - there are slight changes here but huge impacts from the different surfaces, some being dull and others shiny and slick.

Born in Sweden, Siri has lived and worked in New York City for many years; she is on the faculty at the Parsons School of Design. Berg has an extensive resume of solo and group exhibitions in the United States and internationally in renowned galleries and museums. Her works are widely collected privately and in major museums including the Solomon R. Guggenheim Museum and the Jewish Museum, NYC. Cynthia Maris Dantzic recently profiled her in the book “100 New York Painters”.

Monday, September 8, 2008

Edward Evans Paintings, Sept. 12th-Oct. 31st


"White Spaces", acrylic on linen













"Come Together" acrylic on linen











Opening Reception: September 20th , 4-7P

Franklin 54 Gallery is privileged to present the new paintings of Edward Evans. These works continue with the Contemporary Chinese theme this artist has been using for a number of years. The simple Chinese characters that Evans incorporates into his paintings heighten the sensibility of the pieces, as he concentrates on the shapes of the characters. These new works are even stronger and sharper in contrast, the finished paintings are vivid beauties. The fine scriptural writings make them unique and draw you closer for examination, daring us to connect and become immersed in them and enveloped by them; one can hardly restrain oneself from touching the work to feel the embossing that is not there. On first glance, thinking they are photographs or 3 dimensional layers we are pleasantly surprised that these are flat acrylic paintings on linen - subtle illusions come about because of this artist’s silky airbrush technique that has been perfected. Ed’s work is clean and crisp, exact yet not stiff - smooth and inviting. Every part of the painting is given equal consideration and importance, again showing us the influence of traditional Chinese painting. For sure these are handsome pieces, full of character and intrigue.

Impressed with the way the old masters painted their illusions, Evans was attentive to how drapery was used to create various moods and feelings by abstracting from the draping cloth and from paper and metal. Lettering, handwriting and signs also fascinated the artist - symbolic forms expressing a desire to communicate and a hope that people can remain individual while working together. Contrasts and tensions have always been evident in his work – hard edges define shapes while some areas are made soft to serve as a foil and allow flow and human sensitive feeling. “My labor intensive process starts with layering and sanding white paint that is applied to fine linen canvas. Then I spray colors with an airbrush because it lends itself to shading so subtle that images can be highly illusionistic from even close up. Because paintings are meant to be looked at, these legible designs must fit into an aesthetic entity. It is not important to read the paintings, but there must be a mood or spirit of the writing.”

Edward Evans spent his early years in Minnesota and now lives and has his studio in Stroudsburg, PA in the Pocono Mountains. He is the curator at the Southwest Minnesota State University Art Museum as well as other venues and with his wife Connie, is the owner of Gallery 705 in Stroudsburg, PA. Edward’s works have been exhibited widely in museums and galleries in the United States and internationally including Italy and Switzerland and are included in numerous museums, private and corporate collections.

Saturday, June 28, 2008

SUMMER HOURS



Big WIndow, oil on canvas by Laura Duggan

During July and August the gallery will be open by appointment only - please give us a call if you would like to see any works by gallery artists and we will be happy to arrange a visit with you. September 12th we will resume our regular hours with a solo exhibition of new paintings by Edward Evans.




Light Chambers, acrylic on linen, Edward Evans

Saturday, May 17, 2008

May 22-June 29th, 2008: "The Undeniable Line", mixed media works by ELAINE DEFIBAUGH



Nite Glow, acrylic, mixed media, hand sewing, collage on canvas, 72x103"




Opening Reception: June 7th from 4-7P

“The Undeniable Line”
Elaine Defibaugh
Mixed Media works
May 22-June 29, 2008
Opening Reception: June 7th, 4-7P

Franklin 54 Gallery is pleased to present a solo show of mixed media paintings by Elaine Defibaugh. Line has always been an important aspect in the works of Defibaugh – she is respectful of it and considers every placement, admirably being able to keep these works spontaneous, fresh and alive. Her use of line is varied whether by drawing, sewing or incorporated materials; the lines continue throughout the composition to bring it all together. Defibaugh’s larger pieces in this exhibition are wonderfully free floating, immediately invoking wonderful sensations of other times and places. These sensations transport the viewer to a place with other sounds and feelings - something all important works of art should do – awaken in us the emotional connection, draw us in and keep us there. Her smaller layered mixed media works continue to bring us surprise packages also made up of many materials and still using the line successfully.

Through her use of line, threads, fabrics, sewing and collage, Elaine has created imagery full of movement, whimsy and sophistication all at the same time. The shapes are organic and she has a command of her use of color. The pieces are full of life and fun, reflective of the titles and the artist herself but they continue to be serious works as she moves forward using different materials and size elements to experiment and further her process.

Elaine received her BFA from East Texas State University and an MFA from Rochester Institute of Technology, also studying at the Yale University Summer School of Art & Music. Her work has been included in numerous solo and group exhibitions across the country including the Butler Institute of American Art, Albright Knox Members Gallery and the Everson Museum of Art. She has received many awards; her work is included in the collection of the Butler Institute of American Art, SUNY Brockport College and many other corporate and private collections. She divides her time between Rochester, NY and New York City.

Franklin 54 Gallery
181 Christopher Street
New York, NY 10014
212.627.8690
franklin541@verizon.net
www.artnet.com/franklin54.html